SC Johnson innovative launch with WC Duck Fresh Discs

My life has been upside down this year with the arrival of my baby boy. A very joyous arrival of course but also, with two little ones at home there are very few moments for myself by the computer. So it has unfortunately resulted in very few blog posts this year. Not because I haven't had anything on my mind to write about. But rather the opposite given how much time I spend in the supermarkets these days...

So, with a few seconds to spare I wanted to share with you my latest favourite of FMCG innovations. This time it may not appeal to all based on it being a solution for a rather dirty problem. It is the launch of WC Duck Fresh Discs by SC Johnson. I haven't tried this product myself yet but I am familiar with the problem that is being highlighted in what I view as an effective and well-executed TV commercial. This launch demonstrates that SC Johnson look for real insigts to develop new and innovative ways to provide consumer friendly solutions to common problems. I have been involved in similar research in the past and I can tell you from my own experience that it can quite an eye-opening experience to understand how other people clean their loos...

Hence I find this a great launch that I believe is based on consumer insight into the wonderful world of toilet cleaning... But I need to try the product before I'm convinced that it will be a lasting concept that will have an impact on the category. The TV-commercial can be seen here. The one on air in Sweden may be cut a bit different from this one.

Wolf brings Swedbank brand back on track?

Yesterday I had the privilege of attending 'Stora Annonsördagen', an event organised by the Swedish Advertisers federation. CEOs of some of Swedens largest corporations were talking about the importance of strong brands, brand equity, brand values, living the brand and communicating the brand. Surely bound to be some topics that you rarely hear them mention on a day to day basis.


The recent Swedbank brand and communication story was a particularly interesting case told by Swedbank CEO Michael Wolf. For those out there who don't know Swedbank it is the largest retail bank in Sweden but it also has significant presence in the Baltics. In fact, it was the recession and especially the bad debt in the Baltics that caused particular turmoil. It was at the beginning of 2009 when Swedbank was in serious trouble and had to be saved by the loan guarantees by the Swedish state. And the crisis and all the accompanying bad press had a negative effect on the Swedbank brand trust and credibility. This is when Mr Wolf took over as the CEO.

Today the situation is quite different. Sweden is in growth again and the horrible year of 2009 is 'almost' forgotten. Swedbank has impressed markets with reported net profits of SEK 7.4 billion for 2010 increasing from a net loss of SEK 10.5 billion for 2009. This is of course good. However, the ambition of Mr Wolf was not only to impress financial markets, but also to restore consumer confidence in Swedbank as a brand and retail bank. And Mr Wolf followed a textbook recipe for how to get the Swedbank brand back on track: 

First step: To identify the essence of the brand - the brand values & the brand difference
Swedbank is the result of many mergers in the Swedish bank industry, and of making something large and significant out of smaller, regional financial institutions. These smaller banks were deeply rooted in the Swedish culture and values, but somehow those values got lost as the bank grew bigger and bigger. And they sure were not guiding the risk taking in the Baltics. But following the crisis Swedbank realised that they must restore and strengthen the values within the corporation, and 'live those values' both internally and externally. The values identified as core to Swedbank were: Simplicity, Transparency & Caring. Values that are not unique per se, but which will work as guidance as Swedbank work to identify its point of difference. Mr Wolf explained that the values will be the guiding force to find brand differentiation. The Swedbank differentiation will come, as Mr Wolf put it: -"by delivering the values through concrete services and products".

Second step:  To go back to core strength in market

The old Sparbanken oak symbol

The second and very important thing that Swedbank realised, and something that Mr Wolf did not talk about too much, but which is of significance to the brand. Is to go back to the core of what is Swedbank in the eyes of their Swedish customers and target group. This goes way back in time...  and to some very fundamental brand stories and symbols. As mentioned before Swedbank is the merged result of many small and regional 'saving banks'. One of those banks was Sparbanken, who utilised an oak as a strong symbol of the benefits of saving. And this oak is still remembered in a positive light by many older customers. When later 'Föreningssparbanken' became the international bank of Swebank the oak was still left in the logo but with little meaning for new customers. After years of excess, Swedbank is now going back to the oak, and what it stands for in terms of being careful with spending, and saving for the future.

Third step: Setting a new communicaton strategy
The third and significant step was for Swedbank to find a way to communicate that it has taken a new path, and restoring trust in the Swedbank brand. Swedbank worked with swedish agency Lowe Brindfors and UK agency Aardman to identify a new communication platform and concept called 'under the oak'. And the result was this new commercial currently running on Swedish television.

The target is for Swedish customers to get to know Swedbank again. And this ad has received a lot of positive reactions in Sweden, and it has also tested well when Swedbank has tracked reactions in the market. This new communication concept is apparently developed to have a lifespan of at least five years. And I'm already looking forward to follow the next step of the work that is being done to restore the trust in the Swedbank brand.

So all in all I was impressed by the brand and marketing work that is going on at Swedbank. And I was glad to hear that Mr Wolf talked about these issues as important for the bank going forward. I'm convinced that we will see a future where people won't be as loyal to their banks as they are today. If banks misbehave we will see people switching banks more often, and banks will have to work harder to keep relevant. The work that Swedbank is doing today is going to serve them well when this open marketspace is a reality.

Crisp maker OLW taps into Fredagsmys insight to conquer Swedish crisp market

Swedish crisp maker OLW's choice to tap into a strong emotional insight proved a good strategy. OLW has now taken the throne as the king of the Swedish crisp market with a 39% market share. The insight that sits at the back of the Fredagsmys campaign taps into Swedes need for 'cosy, lazy family time' on Friday nights, after a tough and stressful working week. The key ingredient in the campaign is the song 'Fredagsmys' which, in all its 'geekiness', have become incredibly popular. It has been played more than 1 200 200 on Spotify! And the social network following has also been strong with more than 190 000 members in the Facebook group 'We love Fredagsmys'. See the ad below - a show of different Swedes who all love Fredagsmys.

Why brand characters?

Well, that is the question that I asked myself as I read the ‘name three popular brand characters’ thread in one of the many Linked In groups that I follow. We’ve all come across famous brand characters as we meet brands advertised and promoted. There are the really famous ones like the Michelin man, the Duracell bunny and the Andrex puppy. And there are the local ones, in Sweden we have the Tele2 sheep and the rather annoying Boxer guy Robert…

So what’s the point of them then and why do companies bother? As I can see it there are a few strong advantages of creating brand characters:

To emphasise a relevant, differentiated benefit
Brand characters are often chosen because they are the advocates of a benefit that the company in question wants to own. In the case of the Tele2 sheep, Tele2 must have come to the conclusion that ‘different due to cheap’ was the most important benefit to emphasise, and… hurrah. The agency came up with the idea that cheap and sheep were connecting words that one could easily play with… and since differentiation is also a key benefit of Tele2 the black sheep was born! The Duracell rabbit is another great example born from the same logic.

To create a holder for storytelling
Brand characters are the perfect holding devices for storytelling. And advertising agencies, at least in Sweden, seem to love to create long (way too long!?) running stories around brands. One example in Sweden are the characters in the ICA commercials. ICA Stig and his colleagues play in a long-winding soap-opera. Personally I’m a bit tired of those ads but because the characters are recognised, the costs are covered by brand owners and the format is so incredibly engrained in people’s mind I’m afraid they might just last forever… ICA Stig goes strong. A favourite of mine is the Ipren man, a made-up character that supports the brand message and new innovations. I enjoyed seeing the Ipren guy in a new settings in the latest ad which I’ve written about before.

To create recognition and ad brand recall
Lastly brand characters are great tools to create brand recognition and brand recall. When you’ve got a brand character strongly associated with a brand, all future communication that clearly displays that character will act as a snapshot reminder of the brand and its benefits. So if you only see a few seconds of an ad you might miss out on the message and the brand logo but at least the actor i.e. the brand character will serve to effectively remind you of the brand. Tele2 very clearly displays its black sheep in all sorts of consumer facing communication whether its TV ads, print, digital or packaging. You surely cannot miss the sheep – cheap connection however hard you try.

I believe these three reasons are the key reasons why we see more and more brand characters supporting the message of brands. There are of course also some issue if you choose this path – and I will get back to those asap. But for now, I hope the above makes some interesting reading. And do let me know if you think I’ve missed out on some additional fantastic benefit of creating supporting act brand characters. Bye for now.

Cadbury Spot vs Stripes production - hit or miss?

Cadbury is really going for glory with its big, high investment sponsorship of the London 2012 Olympic and Paralympic Games. Cadbury spends a record £50m marketing investment on this campaign. The campaign started last weekend with an unconventional TV advert introducing the Spots v Stripes campaign. And the campaign will run until the game starts in July 2012.

The idea of the campaign is that Cadbury's invites the nation to divide into two teams competing to score points on a website. The games can be anything from big and highly organised sports competitions to simple arm-wrestling and they can be played at all locations, everywhere.

The first TV ad features two teams of spotted and striped marine creatures playing a game using seaweed balloons. What do you make of this? Is it a hit or miss? I find it very unconventional and intriguing, perhaps the reaction that Cadbury's want from its audience? I suppose the key objective is to get the audience engaged and to draw people to the site. The ad will be followed by a Spots v Stripes national roadshow visiting UK cities over the couple of months, inviting members of the public to join in using “giant games kits” provided by the Dairy Milk Maker. A spokesman from Cadbury's described Spots v Stripes as “an ambitious programme to get millions of people across the UK and Ireland playing games by 2012, leaving a lasting legacy of community spirit in the UK and Ireland”. It's a big ambition for Cadbury's - good luck guys!